Mark Williams (born 1951) MA (Auckland), Ph.D (1983) (British Columbia) is a New Zealand writer, academic critic and editor of contemporary New Zealand literature. He is Associate Professor of English at Victoria University of Wellington.
Contents |
He was educated at St Peter's College, Auckland.[1] Williams has written about his reaction to St Peter's after his Christadelphian background. "To me, on coming from a radically iconoclastic Protestant sect, the holy pictures and statues the Christian Brothers had crammed on every wall seemed utterly bizarre". "At midday we all knelt for the Angelus. Mass involved long periods of kneeling". Although he feels he escaped "the deep imprinting on the psyche of Catholic guilt", Williams was captivated by "those gothic images and rigid doctrines". "An absolute scale of values and vision is insinuated into one's mind" which may account "for the number of Catholics who become writers or artists".[2] While at St Peter's College, Williams started writing poetry and while there he entered a poetry contest judged by old boy poet Sam Hunt who wrote to him in response to his entry.[3]
Williams returned to New Zealand from his doctoral studies in British Columbia (1983) and lectured at Auckland University and Waikato University before moving to the University of Canterbury where he was a lecturer and associate professor.[4] He became Associate Professor of English at Victoria University of Wellington in 2008. William's research focuses on New Zealand and modern literature. He is on the editorial boards of numerous scholarly journals, including the Journal of Commonwealth Literature and Canadian Literature. In 2009 he was the convenor of the judging panel for the Montana New Zealand Book Awards. With others, he is currently engaged in the editing of The World Novel to 1950, a volume of Oxford University Press series, The History of the Novel in English.[5]
Williams is one of the first academics to focus his publications predominantly on contemporary New Zealand writing. His work is also informed by a strong international context which has enabled him to argue in Leaving the Highway: Six Contemporary New Zealand Novelists (1990) against the "violent dualities" of New Zealand culture and the "binary habits of New Zealand criticism" and advocate instead independence, difference, continuities, and "complex wholeness".[4]